IMDB Score – 7.5
Rotten Tomato Score – 87%
Directed By – J.A. Bayona
Starring – Belén Rueda, Fernando Cayo, Roger Príncep, Mabel Rivera, Montserrat Carulla, Andrés Gertrúdix, and Geraldine Chaplin
A woman brings her family back to her childhood home, which used to be an orphanage for handicapped children. Before long, her son starts to communicate with an invisible new friend.
It’s funny how full of shit I am. I told myself that I would be watching a horror movie a night because it’s my favorite month of the year, October. You know how many I’ve seen this month? Two, including this one. That’s pathetic. My viewing schedule has developed a case of the crazy and I take what I can get. Tonight I took a walk down to the library to find some interesting films to watch over the week. I wanted mostly horror films but I couldn’t help take out a few Criterion films which I’ll be watching over the weekend. I guess I’ll just have to dust off the old Netflix account and browse the horror selection there. I’m sure I’ll be disappointed. The Orphanage has managed to escape me for years so I decided to finally pay it a visit which actually turned out to be a wonderful idea.
I loved the film for the most part. You don’t get many horror films like this.
Slow. Detailed. Well acted.
It reminded me of Ti West in the way he lets the atmosphere and natural creepiness of setting scare the viewer. I haven’t seen his newest film (heard it’s on Netflix, I take back my statement above), but the guy just knows how to make a horror movie that appeals to all of my senses. He still likes to throw at least one jump scare in though, a tactic that I find tired and overused. This is where The Orphanage differs itself from the pack. I honestly don’t remember one single jump scare. Sure there were some quick camera movements and figures appearing from a spot where there was once nothing, but those just felt earned. There was no ROARING CRASH OF SOUND accompanied by a lightning quick edit to some deranged murderous face, or better yet a fucking cat that jumps out of a closet. This film was just plain old creepy. It’s also a ghost story. I love host stories. I’ve been telling, reading, and writing them since I was a kid and this ghost story satisfied me completely. I was into the overall premise of the film. There were some holes that I should have bothered me but somehow didn’t given the fact that the movie could exist without filling them. Actually, I’d say the story was the weakest link of the whole film. It certainly pulled me in but I was really hooked by the overall aesthetic feel of the film. I made sure to turn the lights out and crank the volume for this and the film returned my diligence by giving me a great atmosphere for a horror film. The acting was also top notch, especially from Belén Rueda. She’s a natural.
Like many, I had a problem with the ending. I just felt like it was a total cop out to what could have been a seriously disturbing and unique conclusion. Those who have seen the film will remember the basement scene. Credits should have rolled from that point. The movie was over. What came next was just a very easy way to end what was a totally original and uneasy film. I understood the reasoning behind it but I honestly didn’t care for what happened to the characters involved. I didn’t shed a tear. I wanted the disturbing option A.
The ending disappointed me but the film overall couldn’t have been more enjoyable. I loved the creepiness. I loved the acting from Belén Rueda. It was a good scare on a nice, windy, chilly October night. I should do this more often.
Suggested Viewing – The Others, The Devil’s Backbone, Pan’s Labyrinth, Tale of Two Sisters, Les Diaboliques (1955 version, fuck that shitty remake)