Two Film Review : Interstellar and Birdman

You may be wondering why I’m lumping these three films into one post. Well, fact of the matter is that both Interstellar and Birdman need second viewings from me to really get into full review mode. I have pretty laid out opinions on both but I don’t think I could justify a full post for each one without having seen the film a second time.

IMDB Score – 8.9
Rotten Tomato Score – 73%

Directed By – Christopher Nolan
Starring – Matthew McConaughey, Jessica Chastain, Mackenzie Foy, John Lithgow, Michael Caine, Anne Hathaway, Bill Irwin, Wes Bentley, Josh Stewart, David Gyasi, Casey Affleck, Matt Damon, Topher race, and fucking finally, Ellen Burystn

A team of explorers travel through a wormhole in an attempt to find a potentially habitable planet that will sustain humanity.

Okay, I need to get this out of the way first. I saw this film almost three weeks ago. If you have not seen this film in a REAL IMAX theater with 70mm film, please do so. It will most likely be one of the last times you will seeing something this new be projected on film. The projectionist in me had a field day with this one. I was privileged to be able to see this at the Lincoln Center IMAX which is one of the largest screens in the country and most likely the world. Regardless of your opinion of the film, it’s something to be seen in 70mm before film goes the way of the 8 track and seatbeltless vehicles.

That being said, I didn’t particularly love this movie. I didn’t really hate it either. What I ultimately came to was a feeling of mild satisfaction mixed with utter bewilderment. I’ve been a fan of Nolan from the beginning. I generally believe The Dark Knight, Memento, and The Prestige to be some of the best films of the decade. Interstellar marks the second film in a row from Nolan that not only failed to meet my expectations but seemed to lack in the screenwriting that characterized his earlier films. This was just a mess story wise from beginning to end. In fact, parts of it nearly ruined the whole thing for me.There were instances in the film where decisions were made at the blink of an eye, huge decisions, LIFE ALTERING DECISIONS, MADE AFTER ABOUT TEN MINUTES OF THOUGHT. Seriously, Matthew McConaughey’s character Cooper is the worst father ever. What he does to his daughter in this film is just atrocious. I hated his character for like 40 minutes after this happened. There is also huge jumps in timeline. Basically Matthew McConaughey goes from farmer to in space in like three days. Sure, he was a NASA fighter pilot a long ass time ago, but you don’t get trained for space in three days. You just don’t do it.

The dialogue was also pretty bad. Anne Hathaway delivers a monologue in the middle of the film, about love, that nearly had me puking in the auditorium. It came off so cheesy and forced that I couldn’t stand it. A big character reveal in the middle of the film also progressed in a way that could be seen a mile away. This character also forgets who he is and ruins pretty much everything. The end of the film, which will be talked about for some time as it is very “2001”-esque, kind of muddles the entire thing for me. Like, I get where they were going with that. I get how unimaginable space can be an how it works, but to put it all together like that just seemed like Nolan was trying to be more profound than he needed to be. I don’t like throwing around the word pretentious often because I think that it insults creativity, but the end of this film teetered on being a bit pretentious. Also, the BIG emotional reunion end the end of the film, the one that the audience has been waiting for the entire three fucking hours, was over in like four sentences. Seriously, fuck Matthew McConaughey’s character in this movie. He’s the worst.

What did I like? First off the acting was pretty top notch. Matthew McConaughey was in full form as he has been for the past two years. There are a few scenes in this movie that really struck a chord with me emotionally and that was all on MM. Michael Caine continues to be sad Michael Caine and that’s okay because the man is a true legend and makes my eyes water every time he is sad. The voice acting from Bill Irwin, who voices the robot TARS, was a wonderful addition to the cast and might have been my favorite character. The robots were awesome by the way. At first I thought they were too weird but then I really got into the functionality of them. The action and space sequences were gorgeous to watch in 70mm. It made the effort to see this is IMAX all worth while. Also, Mackenzie Foy can act. That girl is going to be big if she continues acting.

Overall the film just wasn’t up to what I thought it was going to be. As far as space movies go, I enjoyed Sunshine and Solaris much more but there were definitely some great reasons to see the film. The camera work, the acting, the practical effects mixed in with CGI, all made this a film to see. It just happened to be a mess in the story telling department that may get better with a clearer viewing but I’m not holding my breath. Nolan gets points for doing it in film though. I’ll give him added points for that.

3/5

IMDB Score – 8.7
Rotten Tomato Score – 94%

Directed By – Alejandro González Iñárritu
Starring – Michael Keaton, Edward Norton, Naomi Watts, Zach Galifianakis, Emma Stone, Amy Ryan, Andrea Riseborough, and Lindsay Duncan

A washed-up actor who once played an iconic superhero must overcome his ego and family trouble as he mounts a Broadway play in a bid to reclaim his past glory.

What a show. I don’t particularly know what the show meant or if I was 100% into it, but what a goddamn show.

For those of you who aren’t aware, the film is shot in a way that looks like one long take. You can tell where the edits are, but the film chugs on like an engine through the entire run time. It didn’t come off gimmicky. It came off glorious. The fact that Emmanuel Lubezki was able to keep every single frame of this movie gorgeous as shit while still maintaining the longness of the shot is a true thing to watch. The film also had this rhythmic drum fill that permeated the entire film from start to finish. It was like a heartbeat, getting faster and louder as scenes unfold into chaos. It was such an opposite kind of feeling from the rest of Iñárritu’s work that it almost made me forget who made the film. His previous movies are all filled with depressing situations and heartbreaking performances. I laughed out loud in this film. I was having a fucking ball. The whole cast pretty much had be heaving. Well, maybe not Emma Stone’s character, but she was still sassy enough to give me a chuckle.

The acting is top notch. We’re going to see at least two major award nominations from this film. Keaton is the star. He is in nearly every scene and completely solidified himself as “back in form”. The film goes into a meta sense as I realized just how alike Keaton and his on screen character Riggan were. Both are actors who portrayed superheros in the 80s and have been away from the spotlight for some time. Both are trying to make a comeback and in the case for Keaton, he does, in a big way. The guy just hit it out of the park. Edward Norton steals every scene he is in. It reminds me a little of when Robert Downey Jr. got an Oscar nomination for Tropic Thunder because he was so goddamn funny. You could make the case for Melissa McCarthy as well but I don’t find her funny. Norton is going to complete that triangle. His character of Mike is so out of his mind that it can only be achieved by Norton, who is himself a lot like his on screen character. He was hysterical and also hammered in the scene chewing jobs just as well. Everybody else was fitting for their role. Emma Stone could sneak in the Oscars but honestly I felt her performance to be a bit overdone. Galafianakis was on point as always. I’ve considered him to be one of the best underrated actors for a while now. Watts finishes the top of the line up as she always does. She’s a professional and it shows.

The only reason I didn’t shower this film with praise is because there are so many subtleties in this film that I just can’t grasp them all right now. The ending left my head spinning a bit and there was a lot of dialogue I missed the meaning of because the film was rolling by my face at a million miles an hour. Will this affect my rating? Not really. It just makes this review a little shorter than usual.

See this film. It’s something that you’ll be thinking of for a long time and itching for a second viewing. I may have to see this again before it leaves theaters.

4.5/5

The New York Film Festival Preview!

Friday night is opening night of the NYFF! I already grabbed my ticket for “Gone Girl” premier which has me pretty fucking excited. I’m going to try to grab cheaper tickets for “Inherent Vice” and “Birdman” but it’s looking like I’ll only be seeing one of the big three. I am however going to try to pick up some tickets to some lesser known films during the next three weeks. I may be somewhat broke, but I’m hoping to see three or four films this year to go along with the Gone Girl premier. In case any of you are near the tri-state area and are thinking about attending this years festival like I am, here are, along with the big three, my most inticiapated films at the 2014 NYFF!

Gone Girl

Fincher is one of the first directors to really get me into film. I grew up being blown away by “Fight Club” and even though my liking for the film has subsided (I still like the film, just not as much as I did in High School), his filmography is filled with incredible works. Zodiac and Se7en are two of the darkest and bone chilling films I’m seen in mainstream film and that credit goes to Fincher. His ability to invoke dread and suspense through perfectly lit backgrounds has always impressed me. Benjamin Button and Dragon Tattoo were huge disappointments but this new film looks like a return to form for the director. I can’t wait for Friday.

Inherent Vice

Paul Thomas Anderson is my favorite living director. Every single thing he has made is a damn masterpiece. If I wasn’t such a broke bastard I would be 1st in line to see his new film, a film which I know nothing about. I won’t watch the trailer if one ever comes out. I won’t look at the production photos that leaked. The image above is the only thing I know about the film besides the cast. I like it this way. I’d rather just be immersed in his films rather than wait for parts I liked from the trailer. I can’t imagine a world in which I’d like a film better than There Will Be Blood, Magnolia, or The Master but the fact that I know he can out do himself only cements him as the next coming of Kubrick.

Birdman or (The Unexpected Virtue of Ignorance)

I love depressing films. Naturally, this fact means that the films of Alejandro González Iñárritu have struck a particular chord with me. When I heard that he was making a film that would star Michael Keaton as an out of work actor who used to play a super hero called Birdman and that the whacked out, bizarre, hysterical film would be edited in a way that it looked like it was done in one shot, well, I fell love. I fell in love with the idea. The film is closing out the festival and snagging tickets will be hard. I’m going to try though. Keaton looks like he might grab an Oscar nomination and the whole film looks bonkers. My kind of film.

Others that seem interesting…

Citizenfour

A documentary about Edward Snowden from director Laura Poitras. The Oscar nominated documentarian flew to Hong Kon to interview Snowden and while she was there, captured the unfolding of what we know as the life of Edward Snowden. The film is apparently a once in a lifetime film that captures the reaction of the world and Snowden as he continues his quest for freedom.

’71

Tells the story of an Irish soldier who was abandoned by his unit during the riots of 1971 in Belfast. The film looks like a tense action thriller and has tickets available right now. This is one that is definitely doable as far as price and ticket availability goes. It helps that it looks pretty intense as well. The film stars Jack O’Connell.

Foxcatcher

The film has made its round on the national/international film festival circuit and seems to be finding its final resting place before official release at NYFF. The film, lauded by some, shunned by others, offers without a doubt a lock for Best Actor during the academy awards with Steve Carell playing the insanely creepy John du Pont. Some of you may know the true story behind the film but for those who don’t I’m not going to spoil anything. I would also avoid the trailer because it seems to give away too much. Bennett Miller knocked it out of the park with his first two films, Moneyball and Capote, and I’m looking forward to seeing this one. The film is going to be playing towards the end of the festival.

Hill of Freedom

I’m a huge fan of Korean cinema. Sang soo Hong may not be as well known as his Korean contemporaries but his films such as “Woman on the Beach” and “In Another Country” were both well received. Having not see either of those films, this may be as good a starting point as any. The film is shot in a frenzy of non linear scenes as our protagonist tries to sort out letters sent to her from her lover after she drops them. She is sorting the chronology and the viewer is given the same task. I love the concept.

Map to the Stars

Cronenberg has always been hit or miss with me. I love History of Violence and Videodrome but found Cosmopolis and A Dangerous Method to be somewhat disappointing. However, the man is a daring filmmaker who doesn’t shy away from doing something out of the ordinary or considered taboo. I like striving for something different which is why I’m interested in this. The cast includes Julianne Moore, Robert Pattinson, John Cusack, and Mia Wasikowska. The story is about a hollywood family and the lives that are lived within that family.

Biscuits & Trail Mix

Sorry for the wait. It’s been a while since my last post. I’ve been pretty busy lately with work, friends, family and things like finally picking up a book and and football starting (NINERS! YEAH!). Here’s some biscuits…

– I have seen a few movies recently that I chose not to write about due to lack of either interest or procrastination. These films include Freaks, The Arbor, and Blow Up. I just didn’t find a lot to write about with these ones even though I really did enjoy Freaks. The Arbor and Blow-Up were a bit disappointing.
– Has anybody been to the fucking movie theater recently? Ugggghhhh I hate September. Thankfully there are some great films coming out soon including The Drop, The Skeleton Twins, The Disappearance of Eleanor Rigby, and Tusk. Some of those trailers and more will be below.
– Did I mention football? I may be more 49er fan than movie nerd. It’s been a passion of mine for about fifteen years now. They kicked the shit out of Tony Romo yesterday so I’m pretty happy.
– Please check out my 2014 Films page and see if you missed any great films from the beginning of the year. They may be out on home video now. I know that Only Lovers Left Alive and Enemy are. That is reason enough.

Here are some trailers until I get some time to watch my next film. I should be watching “Korengal” tomorrow night. The first are all coming out in the next three weeks.

September 12th

Yeah, I literally can’t wait for this. I love Tom Hardy. I love James Gandolfini. I love Noomi Rapace. I love and own “Bullhead”. I love Dennis Lehan adaptions. You know, this is probably going to suck and ruin all this hype I built up for myself but I’ve read that there were standing ovations at TIFF (Toronto International Film Festival” so I’m expecting brilliance. Plus, that puppy is adorable.

September 12th

I laughed…A LOT…during this preview. Two of my favorite funny people being funny. Sign me up.

September 12th

There’s something about this one that intrigues me. Maybe it’s the acting or maybe because…

The project has one of the most unique structures in cinema. It was shot as a two-part movie, which follows the story of the couple played by James McAvoy and Jessica Chastain from both of their point of view. The two films premiered in 2013 at the Toronto Film Festival. After the premiere, although it received rave reviews, Ned Benson started cutting the movie again, as a one feature, which premiered at the Cannes Film Festival. All three movies received a theatrical release.

I have no idea how I’m going to see this but I’m going too.

September 19th

Justin Long acting like a jackass? Haley Joel Osment as a fat radio DJ? Walrus experiment? Michael Fucking Parks? Sign me up.

September 19th

Looks weird as shit. I love Gilliam. I’ll be seeing this. From the trailer, it looks like Christoph Waltz was made for this role. Also, did I see Tilda Swinton with another mouth piece and weird accent? Every movie should be doing this now. Every one.

October 10th

Looks like a crazy psychotic ride on the JK Simmons train. Miles Teller is turning into a great actor and this should be his best role yet. It won the grand jury prize at Sundance by the way.

October 17th

This is my movie. If this isn’t my favorite movie of the year I’m going to be very disappointed. The return of Michael Keaton to actual prominence. It is apparently edited to look like a single take, like, the entire fucking film. I’m going to nerd out ALL over this.

October 31st

I think this film is going to disturb and entertain me while also driving in the fact that Jake Gyllenhaal is only beginning to become one of the best actors of our time. He looks bonkers in this film and I love that.