<img src="” alt=”” />
IMDB Score – 5.5
Rotten Tomato Score – 34%
Starring – Michael Fassbender, Cameron Diaz, Penelope Cruz, Javier Bardem, Brad Pitt, Bruno Ganz, Rosie Perez, and Edgar Martinez
Directed By – Ridley Scott
A lawyer finds himself in over his head when he gets involved in drug trafficking.
Earlier last year I wrote about how excited I was that this film was even happening. The cast, aside from Cameron Diaz, was fantastic. I am a Ridley Scott apologist. I thought “Prometheus” was a gorgeous film and although it was written by a man who should have no business in science fiction, I thought the film did space horror justice. The film boasted one of my favorite authors at the helm of the screenplay. I have enjoyed everything Cormac McCarthy has ever written and was excited for his first work written directly for the screen. WHAT COULD POSSIBLY GO WRONG GUYS?
Everything. Everything went wrong.
This was one of the most pretentious pieces of hot garbage I have ever seen. It was like Ridley Scott found a pile of shit in the middle of the room, found out who made it, denied it was a pile of shit, and threw glitter on it. How is that image doing for you? I’m actually proud of that analogy. It is fitting to what this film ended up being. So we have a lawyer played by Michael fucking Fassbender. This lawyer decides to get into the drug trade and then I honestly don’t understand what the hell happens next. Actually, if I had not read the synopsis before watching the film I would have had no idea what was happening during the entire two hour run length. This is not to say that I don’t enjoy films that make no sense. Those films however know what they’re aiming for and try to present it in a unique and experimental fashion. This films plays like McCarthy watched a Tarantino film and decided he was going to write one and use much bigger words. I love the mans writing but this was just a huge failure in trying to be profound and philosophical. NOBODY TALKS THE WAY ANYBODY IN THIS FILM TALKS. The last line was spoken by Cameron Diaz and she used the word “famished”. She wasn’t even being ironic. It was like a high school drama student was trying to sound cool on facebook. I’m just completely surprised by how bad the entire film was.
That isn’t to say there weren’t a few stylish elements I enjoyed. For one, Ridley Scott is just a natural behind teh camera and I enjoyed the colors portrayed in the film. There are also two very entertaining scenes that involve wire and Cameron Diaz fucking a car.
Yes. I just said that. I’m sorry if I ruined it for you but there is no way in hell I’m not talking about this. Cameron Diaz fucked an automobile. The term “catfish” was used in the film to describe what such an experience would be like. I vomited in my bed. Cameron Diaz owes me new sheets.
Let’s elaborate on Cameron Diaz for a moment. Why was she cast in this film. Her character is supposed to be ARGENTINIAN. Does she look Argentinian? Does she sound even remotely Argentinian? That must have been one hell of a blow job she gave to the casting director because that’s the only way that untalented woman got this job. Actually, that could probably be said for most of her career. I’m so glad that she didn’t end up doing what she always ends up doing, ruining good films. Her involvement in this was just an extra piece of lunacy added on to a debacle of a movie. Penelope Cruz was underused and had horrible lines given to her which she delivered with a subtle hint of “am I really saying this?” Javier Bardem decided to do this just so he could have his hair styled like that. I have know idea what he said in the film because of his outrageous blow out haircut. Brad Pitt played the same character he always plays, in the same voice, with the same everything.
Why did this have to happen. It was like the entire production company set us up for something brilliant and then delivered us a failure pile with a party hat on it and a note saying “Suck it population!”. I feel bad for people who paid to see this.
Let me summarize this who thing before I write Netflix a letter asking them why they didn’t email saying “NO PLEASE DON’T” when they saw I had this movie in my queue. The film was a mechanical pretentious slob of pseudo philosophical drivel. That sentence was brought to you by the Thesaurus. The same thesaurus that Cormac McCarthy used to construct 90% of the dialogue in this film. It had a few entertaining scenes. I believe a mentioned a car being slobbered on by an old untalented vagina. It was not entertaining enough though to hold even the slightest of my attention and I would like my two hours back. Oh, an there were Cheetahs in this films that were treated like both horses and house cats. I feel violated.
Recommended Viewing – Baby Geniuses