Film Review : Inherent Vice (2014)

IMDB Score – 7.4
Rotten Tomato Score – 69%
Academy Award Nominations for Best Costume Design and Dapated Screenplay

Directed By – Paul Thomas Anderson
Starring – Joaquin Phoenix, Katherine Waterston, Owen Wilson, Josh Brolin, Joanna Newsome, Martin Short, Reese Witherspoon, Benicio Del Toro, ERic Roberts, Maya Rudolph, Michael K. Williams, Hong Chau, Jena Malone, and Martin Dew

In 1970, drug-fueled Los Angeles detective Larry “Doc” Sportello investigates the disappearance of a former girlfriend.

It’s been just over two weeks since my last post. Apologies for that. My viewing habits happen to be changing week to week but good news is that I should have a few more posts coming up after I finish seeing the Oscar nominated films. I also may write up an actual post on the Oscar nominations but I’m debating it because I’ve honestly stopped caring about the show. Anyway, thanks for reading as always.

PAUL THOMAS ANDERSON HAS A NEW FILM OUT! YES!

Being my favorite living director right now, I have been excited for this film while also actively avoiding anything related to the film. I wanted to go into this thing fresh. Turns out, it doesn’t matter how many times I watched the trailer or how many articles I read, I would have left the theater confused either way. I honestly have no clue what the hell happened in this film. Now, normally this would be a negative. Normally, this would be an indication that the screenplay was weak, disjointed, or too complex. That isn’t the case for this film. I heard and understood every single line of dialogue in the film. I just don’t know what most of it means. Sure, the film is complex and offers about a thousand different characters with their own connections with the story. Some of these characters appear in the beginning and disappear for two hours only to be revealed at the end as a major plot device. Some of these characters only grace their presence once and after the scene changes they’re gone. I don’t have a problem with too many characters. Hell, Magnolia is one of my favorite films of all time and there are just as many characters in that as this. What makes this such a hard watch is simple, we experience the film like our main protagonist Doc Sportello experiences it, in a very foggy haze. It’s this haze that makes things murky and confusing. There is nothing wrong with that in my mind. PTA has crafted a film that even he doesn’t understand. Seriously, he said that in an interview with Marc Maron. While I haven’t read the source material, he states that a lot of the films dialogue and story arc is just how Thomas Pynchon wrote it in his book. Pynchon, who is one of the most unique writers of the last thirty years, had his book translated into film beautifully by PTA. The only problem with that is how it affected the audience which was a mixed bag.

I had two reactions during the two and a half hour run length of the film. The first half I was actively trying to keep up with the story and understand everything that was happening. I wasn’t enjoying the film that much. I was frustrated that I couldn’t get a grasp on the significance of each character or that Joanna Newsome, who acted as the narrator of the film as well as a friend to Doc, would keep chiming in with Pynchon jargon. Don’t get me wrong, Newsome was great in this, and I liked the narration. It just didn’t help with the frustration of trying to figure out what’s going on. Halfway through the movie I decided to give up and just let the amazing cinematography, acting, and 70’s vibes wash over me. I should have done that from the beginning because I enjoyed the film so much more.

Joaquin Phoenix plays our protagonist Doc, a weed smoking private eye who is tasked to put this puzzle of a story in the right pieces. I’m not even sure if he does by the end or if everything that he went through was even real. PTA did a fantastic job of making the film feel like you just smoked a huge doober. The cast is overbearing at times. Del Toro, Short, Witherspoon, Wilson, and Roberts aren’t in the film enough. This is all Phoenix, Brolin, and Waterston. Josh Brolin plays Bigfoot, a longtime acquaintance of Doc and also the person who wants to see Doc arrested. Waterston plays Doc’s ex ladyfriend whom has gone missing. We see her in flashbacks and sporadically through the film but she’s incredible whenever we do. The last scene we see her in is especially impressive as it’s a long, almost seven minute take with just her and Doc talking, and then some. The comedy comes mostly from Brolin, Phoenix, and a hilarious Martin Short. The cast kicked ass is what I’m saying.

Obviously I’m going to have to see this again. Even if I wasn’t confused I would see it again given that it’s a film by a living, and young, legend of cinema. There’s just something about PTA’s films where these whole other chambers reveal themselves and open up on repeat viewings. This review is a lot shorter than what I expected a PTA review would be but honestly, I can’t talk much about what I don’t understand. I’ll say this though, there is literally nothing like a Paul Thomas Anderson film. It’s a strange, hypnotic, hysterical, haze of a film that demands repeat viewings and crackpot fan theories. There are scenes in this film that are bizarre and puzzling mixed in with scenes that are just flat out outrageous and funny. It’s always a fun time in the cinema with PTA.

Plus, I don’t mean to spoil anything, but at one point Josh Brolin tells Doc that he smells like a patchouli fart. That’s hilarious. Damn hippies.

4/5




THIS DAY IS HERE! Inherent Vice trailer released!

The day has finally come. I can now stop typing “Inherent Vice trailer” into youtube every other day. Now that I’ve seen it, I will not watch it again so I can go into this thing as blind as humanly possible. I did get thrown off at first by the vibe. The last two films were so dark and complex and this seems more like a mix between Boogie Nights and American Hustle. Josh Brolin yelling broken Mandarin is hilarious and it seems like Phoenix is even more physical than his role in The Master. The film seems more erotic and funny than his previous efforts, but I’ll watch literally anything regardless of subject matter if it was written and directed by aul Thomas Anderson. He’s my favorite director living today and in my top three of all time. I can’t fucking wait for this.

Film Review : Her (2013)

IMDB Score – (Currently) 8.6
Rotten Tomato Score – 91%

Golden Globe Nominee for Best Picture, Best Actor, and Best Screenplay

Directed By – Spike Jonze
Starring – Joaquin Phoenix, Scarlett Johansson, Amy Adams, Chris Pratt, Olivia Wilde, and Rooney Mara

A lonely writer develops an unlikely relationship with his newly purchased operating system that’s designed to meet his every need.

A week ago I thought I saw my film of the year. Inside Llewyn Davis was a bleak and ultimately devastating story about a folk singer who can never catch a break. It was soulful and moving and really just hit me in a way that no other film this year hit me. “Her” is the complete opposite. It is soulful and devastating but in the complete opposite direction. They are my ying and yang picks for films of the year.

I’ve been a fan of Spike Jonze since seeing him wear granny make-up and swing his boobs around in “Jackass”. His music videos are some of the most memorable videos of the late 90’s and early 2000’s and his films are visceral experiences that are unique and one of a kind. This time, Jonze puts his pen to the paper and crafts not only the best screenplay of the year, but one of the most intimate and personal films I’ve ever seen. The film stars Theodore, a lonely recently divorced man who is seeking a friend. Theodore walks past a kiosk advertising a new operating system which developing intelligence and personality. The operating that Theodore purchases is named Samantha and is voiced by Scarlett Johansson. The film takes place in an obvious future world but instead of being a dystopian nightmare, the future we see is vibrant and colorful. Social media seems to have evolved into a living breathing entity and everybody walks about with ear pieces in their ears which reads them the news, emails, or just converses with their user. This is really all you should know plot wise as the film grips you and takes you on the ride. Two hours never flew by so fast.

Having some relationship issues of my own at the moment, the film spoke to me. It’s premise is ultimately a very strange one. A man falling in love with a computer? How silly. Is it really that silly? Who is to say that a person can’t have a connection with somebody who is not there physically. I know it is usually frowned upon, but long distance relationships do work in small amounts. Those relationships are kept through phone conversations, letters, and recently with the ability of video conversations. I know people who have gotten married after meeting on the internet. I know people who have had extensive relationships with people miles away. Samantha may be a voice of a computer but in this world, that voice has a mind and personality that only builds more and more every day.

Spike Jonze created a perfect screenplay here. It is nearly flawless in its pacing and immersing in its intimacy. I don’t know what is going on in the mans life but he wrote from the heart and it showed. The whole film radiates red like it’s the center of a beating heart. I’m not usually a huge romance fan. I have been slowly integrating and finding wonderful films of this genre and am really warming up to the idea that romance films can not only be made well, but be considered important pieces of art. Jonze created a piece of art that is directly linked to the heart. Whether we have had many or only a few relationships, we each have gone through life changing events with another person. These events and the time we spend with somebody builds our character. They make us into the people we will eventually become. This is the main theme of Her. The relationships we have with other people, whether they end badly or flourish, create the people we turn into and help us learn from our mistakes until the next person comes along. I just can’t write enough how touched and moved I was with this film after this year. I have regretted more things than I can count. I wish I could change things. I wish there were some way to do things different. This is no way though. Those things happened and it’s only up to me to make sure that the future is made with all the love and happiness I experienced along the way. That is human nature. We push on and try to maintain happiness. The film just reiterated to me that everything is going to be okay.

I’m sorry I got a little personal there. It just it me hard.

The aesthetics of the film should also be noted. It’s a gorgeous film. Cinematographer Hoyte Van Hoytema should honestly win all the awards for this. As I stated before the film just radiates red which only goes to further the emotions thrown at us by the cast. Geez I haven’t even mentioned the cast. Scarlett Johansson could actually be nominated for a supporting role in which she doesn’t appear on screen in any way. She was that good. It was just a voice but it represented one half of a completely real and touching relationship with co-star Joaquin Phoenix who was incredible as always. Phoenix, who appears in nearly every single scene dominates as a lonely man who finally finds love after going through a difficult and draining divorce. Amy Adams, who really can’t do anything wrong recently, rounds out the trio by giving a heartwarming performance as Theodores friend and neighbor. It’s a film full of just amazing everything.

Go see this film. Take your girlfriend. Take somebody who is going through a rough time or recently lost somebody they love. It is a smart, funny, and incredibly real science fiction film that produces such honest and earned emotional response. Some people won’t get past the premise, but the people who have experienced loss in their lives are going to feel amazing at the fact that we still have so much to gain and learn. It’s my top film of the year along with “Inside Llewyn Davis”

5/5