What I’ve Been Watching

It’s bee a while since my last review. I honestly haven’t seen anything in a theater since It Follows, reasons being that I haven’t found a single thing worth paying money near me. I’m patiently waiting for Ex Machina to come out. In the mean time, I’ll try to keep this thing fresh by writing a bit on what I’ve been watching over the last three weeks. Full reviews will start coming soon.

Tracks
Directed By John Curran

Tells the story of Robyn Davidson, a woman who walks across the Australian desert with her four camels and dog. Really atmospheric. For a movie about walking, the film was able to keep my attention for the entire run length. This can attributed to both the wonderful cinematography and the powerful performance by Mia Wasikowska. I’ve enjoyed her in pretty much everything she’s ever done and films like this only go to prove she’s one of the best young actresses working today. The film was heartbreaking as well as inspiring. It’s on Netflix and well worth it.

Noah
Directed By Darren Aronofsky

I’m not really sure why I didn’t watch this in theaters. I’ve never really been attracted to biblical films, but I’ve enjoyed Aronofsky’s last two films in Black Swan and The Wrestler. I guess the world’s oldest disaster story gave off a lot of “2012” vibes, so I decided to skip it until it released on some sort of streaming service. Netflix has answered that call. The film ended up being pretty entertaining. Sure the plot and themes were heavy handed and clumsily communicated. Sure it managed to piss everybody off. It also utilized some pretty awesome special effects and was able to draw out some great performances from Crowe, Connolly, and Watson. Most of the film was shot with CGI, which is something that I can only fully enjoy every once in a while, I enjoyed it. It’s worth the watch.

Rosewater
Directed By Jon Stewart

I’ve always been a Daily Show/Jon Stewart fan. His first film behind the camera ended up being pretty forgettable. I didn’t understand why they used Gael Garcia Bernal to play an Iranian reporter. I felt they could have been a lot more realistic with the portrayal of what was going on in Iran during the time of the elections. It wasn’t bad, but it didn’t wow me at all. If you have the chance, check out the documentary Burma VJ for a real look at what documenting a tyrannical regime is really like. I did however enjoy the Fort Lee joke. Although, since I’ve lived here, I have not once seen these pleasure palaces.

Game of Thrones Season 5

Two episodes in, nobody has died yet. I don’t know if that is awesome or bad. Is that weird? I don’t want anybody to die, but I also love the fact that the show does what it pleases. We’re seeing a lot of different things with Tyrion in hiding, Jon Snow becoming more of a leader, and Dany losing hold of her power. Everything seems to be setting up for a serious season of shock and awe. I love this show.

House of Cards Season 1

What can I say? I’m late to the party. I just finished season one and I’m kicking myself for not jumping on this show earlier. Yes, I know Kevin Spacey is great in this. That’s not why I love the show. The secondary characters are all fantastic. The way these characters along with the entire show is written, gives me hope for Netflix Original content. Orange is the New Black and Bloodlines are also quality television, but this show may be the patriarch. Can’t wait to start the next season.

Film Review : Only Lovers Left Alive (2014)

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IMDB Score – 7.6
Rotten Tomato Score – 85%

Directed By – Jim Jarmusch
Starring – Tilda Swinton, Tom Hiddleston, Anton Yelchin, Mia Wasikowska, Jeffrey Wright, and John Hurt

A depressed musician reunites with his lover, though their romance – which has already endured several centuries – is disrupted by the arrival of uncontrollable younger sister.

This is not a vampire film. This is a Jim Jarmusch film. These are the words spoken by one of the theater employees at the Landmark Sunshine. He was absolutely correct. It took me a couple weeks to finally get to see this, not because of a distaste of Jarmusch films, but rather a reluctance to see anything vampire related. Once again, I was wrong. The film ended up being about vampires, but only in the way that the two characters just so happened to be vampires. The rest of the film was a slow burning lesson in how to make and immersing hang out film. I loved it.

The film centers around the aptly named Adam and Eve, two vampires who have lived on the earth longer than most countries have around. The adhere to typical vampire myth/lore in which they can’t go out during the day, they are immortal, and they need blood to survive. The problem they face is getting the blood. This is not the same world that they used to live in. There is facebook, youtube, cameras, and police forces that can and will catch them in the act if they used their old way. They have to find their blood in more creative ways and this usually involves a lot of money, money acquired through means I’m not aware of. This seems like a very urgent conflict that would drive the film but it was really only a secondary plot line. The film ended up being a two how Jim Jarmusch dance of style, music, conversation, and light. It’s a complete atmosphere film that relies heavily on the soundtrack to help the painted scenery come alive. The film take place solely at night so every single shot is backed by dark and faded light sources. It perfectly fit the setting of an abandoned and desolate Detroit. I can’t explain enough how much I loved the aesthetic of this film. Jarmusch has always been a talent behind the camera but this may be his finest work yet.

The music, as I said, plays a huge role. Adam is an other worldly musician who has collected priceless items over the years of advancing his craft. He does so however by way of remaining completely recluse in his house so that nobody will catch on to the fact that he’s been alive so long. Anton Yelchin plays Adam’s close friend Ian and person whom he pays to fetch these instruments and whatever else he desires. He doesn’t know who Adam is but admires his genius. Tom Hiddleston was the first of two absolutely perfect casting choices for the leads. He may come off a bit like a hipsters dream of “fuck the system” cynicism but he also is wise beyond any human counterpart and just leaks the kind of coolness only a depressed vampire can give. Usually I frown upon seeing these kind of characters but the way Hiddleston portrayed Adam hooked me in line and sinker just like Adam did with Ian. Tilda Swinton plays Eve, the wife of Adam who travels from her home in Tangier to see her lover. I don’t quite remember why they were apart. They may not have explained it. It may just be the fact that they were lovers for thousands of years and needed some time apart, just like human relationships. Swinton may just be the perfect female vampire. She has that accent to go along with the white face and long hair. I was just amazed by her performance as the older and wiser vampire that understands what her man is going through. John Hurt and Mia Wasikowska also play vampires although their roles are less prominent. Both played their roles beautifully even though I couldn’t stand Wasikowska’s character of Eva, the little sister to Eve.

I’m trying not to go into too many plot details but honestly, there aren’t many details to talk about. It’s a total slow burn that is both captivating in terms of writing and mesmerizing in terms of aesthetics. It’s a film that may be boring to some but for people who love Jim Jarmusch’s films, it’s a pleasure film all the way. I can’t recommend it enough and while I’m not giving it a perfect rating, mostly due to my dislike of one of the characters, it’s probably Jarmusch’s best film to date and probably my favorite film of the year so far. Try to see it in theaters if you can.

4.5/5

Related – Anything Jim Jarmusch…anything




Film Review : The Double (2014)

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IMDB Score – 7.1
Rotten Tomato Score – 82%

Directed By – Richard Ayoade
Starring – Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Noah Taylor, Cathy Moriarty, Chris O’Dowd, and Paddy Considine

A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite – confident, charismatic and seductive with women.

I decided, for the first time since moving to Fort Lee, NJ, to head into the city and see a movie. I tried picking a theater where I could see a double feature and settled on seeing “The Double” and Only Lovers Left Alive” at the Landmark Sunshine on East Houston street. I figured that since I live next to the most famous city in the world that just so happens to have a billion theaters showing films that show nowhere else around me, it might be a good idea to start venturing in and taking advantage. First up is “The Double”, directed by the extremely talented British quirk, Richard Ayoade.

His first film, “Submarine” is one that I have actually seen but remember nothing of. I must have been outside my head that day because even though I have tried, I can’t remember a single thing from that film. I stated he is talented because of his work on “The IT Crowd” and the fact that he was the only entertaining thing about “The Watch”. I’ve also heard him in a bunch of interviews and he seems like a very intelligent and unique person. All those qualities showed up in “The Double:, an adaption of a Fyodor Dostoevsky novel of the same. Jesse Eisenberg, who was brilliantly cast for this role, plays Simon, an employee at a data processing firm who can’t seem to catch a break or the recognition from his peers. In walks James, an identical looking/dressing Simon who is everything Simon is not, charismatic, funny, charming, and outgoing. He picks up women as he pleases and he wins the smiles of everyone he encounters. I remembered seeing the trailer when it was released and thinking that the film was going to be a trip because I had no idea what was going on. Having seen the film I’m still not quite sure. It’s going to take a second viewing to understand fully what happened but one thing the film was…impressive.

Besides the obvious science fiction elements, for example the fact that the film takes place in an obvious dystopian world not of our own, the film is a comedy. It’s a quick draw of wit around every corner and delivered perfectly by Eisenberg who secured an Oscar nomination for playing a character who is fast talking and witty. Ayoade did his homework. Eisenberg, who plays both main characters, played them both wonderfully. Simon is shy, neurotic, and miserable whereas James is outgoing, engaging, and seems to be the favorite person of every single employee and person in the city. Nobody mentions the fact that they both loo exactly alike which is the game played on the viewer. I was constantly trying to understand why nobody seemed to notice the similarity and why bad things continually seemed to follow Simon around. It’s only as the movie progresses that we start to accept the vagueness of the other characters and start to focus in on the similarities of James and Simon. The ending of the film was a bit disappointing as we are led to believe the mystery behind the two is a conclusion that we’ve seen in film countless times but for what the ending lacks in originality, the rest of the film thrives in being a type of comedy I’ve never seen before.

Oh, and the cameos by Paddy Considine and Chris O’Dowd were fucking hilarious.

The film showed just how talented Ayoade is as a young filmmaker and I’m going to be looking forward ti what he does next because if it was anywhere as unique as “The Double” then he has a bright future ahead of him.

4/5

Suggested Viewing – Brazil, 1984, Enemy, Dark City,




Film Review : Stoker (2013)

IMDB Score – 6.9
RT Score – 69%

Anybody who is a fan of foreign cinema should be a fan of Korean cinema, and anybody who is a fan of Korean cinema HAS to be a fan of Park Chan-Wook. The man who gave us Oldboy and the rest of the vengeance trilogy gives us his first film in the English language which seems to be a common thing now from all the amazing Korean auteurs. I’m just glad this one didn’t star Arnold Schwarzenegger. Stoker does star Nicole Kidman, Mia Wasikowska, and the always creepy Matthew Goode. Goode plays the uncle of Wasikowska and brother in law to Nicole Kidman and enters the women’s lives after the death of his brother.

This film is all over the place. Did you know Wentworth Miller writes screenplays? Yes, the Prison Break guy. Yeah I just found out too. This is his first one and it leaves a lot to be desired. You can’t just make everything that happens in the first sixty minutes a mystery and try to bring it all back in the last thirty. It’s a risky way to write and it didn’t work here. I can applaud the effort but it all just came out too rushed and illogical. Plus neither of these men know how people behave in high school but one has an excuse because he’s Korean. Miller’s screenplay killed the movie for me. There are two “saving graces” if one can call them that because I just didn’t like the film overall. One is the direction of Park Chan-Wook who filmed a gorgeous film filled with wonderful transitional shots and dark imagery. The second is the performance of Goode who really plays the creepy uncle well. He had this subdued but back door madness pinned down very well and he stole every scene. Kidman needs to stop with the plastic surgery. She has ruined her face.

Not bad for a rent but don’t expect much besides a pretty film that made little sense.

2/5