Directed By – Justin Benson and Aaron Moorehead Starring – Lou Taylor Pucci, Nadia Hilker, Francesco Carnelutti, Augie Duke, and Jeremy Gardner
A young man in a personal tailspin flees the US to Italy, where he sparks up a romance with a woman harboring a dark, primordial secret.
I’ve bitched on this site before about how Horror movies need to start getting more creative. I’ve said that even if the acting or visuals are lacking in places, an original script can triumph over anything. This is case and point when it comes to Spring, directed by the guys who gave us the original film about addiction and the supernatural, “Resolution”. The trailer posted above doesn’t give TOO much away. It certainly is better to go into this, like every movie, knowing as little as possible. Seeing it won’t ruin much though. The film centers around a guy named Evan who goes to Italy to get away from his depressing life full of heartbreak and failure. He meets a girl named Louise and over the course of the next week, things happen.
So the film is labeled as a horror movie I mean, I opened up this review by talking about horror movies so what else would it be? This is a special kind of film though. The horror elements will satisfy people looking to get creeped out and scared, but this film has much deeper meaning and effect. The heart of Spring is the romance between these two lovers. The fact that the romantic aspect is coupled with a sci-fi/monster/horror film makes it that more special. This isn’t Jennifer’s Body, which was horrible apparently, but it also isn’t Let The Right One In. The story begins to unfold more towards the end of the film and here is where the real beauty lies. The mythology, while a bit confusing at times, still presents something I haven’t seen before in film. Telling what that is would spoil the story, but trust me, it’s interesting. The film also utilizes some straight forward romantic writing, almost as if Benson watched the Before trilogy a bunch of times before writing this script. I’m a sucker for those kind of films, so I ate this right up.
It’s not perfect though. For one, I wasn’t fond of the acting that much. Nadia Hilker was very good and this film should serve as a stepping stone to bigger things, but the acting from the rest of the cast was average at best. I just couldn’t see Evan, played by Lou Taylor Pucci, as a real person. I felt I was watching an actor. That’s never good. I don’t feel he’s a bad actor by any means. Hell, we’ve all seen a thousand worse performances from indie film actors. A story like this just needed a strong male performance to go along with Hilker and the nature of the script. The plot was also muddy at times. I got the gist of the film and the impact was felt, but it could have been a lot more polished and clean. I had to do a bit of reading afterward to get most of the story arcs.
The film is also gorgeously shot on location in Italy. I’ve always read that Italy can be a bit of a drag with all the tourists and scam artists buzzing around major cities and villages. The main town that this film takes place in however is a fucking beautiful place that I feel I could visit and never come back from. The lush landscape was captured very well by what I’m assuming was a drone camera. Lots of great shots of waves crashing onto rocks and some great color grading that gave the film a warmth about it. It was pretty.
My movie watching habits are changing. I’m finding less time to watch films and less things in the theater interest me. As long as I have films like this come in the mail however, film will still fascinate me. I love original ideas and I love when these ideas come in hybrid packages. Romantic horror films like this could end up becoming one of my favorite things to watch if their done correctly. This is definitely worth the watch and I’ll be anxiously waiting to see what Benson and Moorehead come up with next.
Directed By – Colin Trevorrow Starring – Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Irrfan Khan, Jake Johnson, Judy Greer, BD Wong, Omar Sy, Andy Buckley, Lauren Lapkus, and Katie McGrath
Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. After 10 years of operation and visitor rates declining, in order to fulfill a corporate mandate, a new attraction is created to re-spark visitor’s interest, which backfires horribly.
As I write this, over 200 million dollars has been spent over the weekend by people going to see Jurassic World. I’m curious as to what those people thought as they left the theater. Honestly, I have no idea what to think. Part of me thinks it was fun as shit and completely validates the enormous haul it took in over the weekend. Part of me thinks that it was atrocious and makes Jurassic Park 3 look like The Empire Strikes Back. Let’s try to figure this one out together.
There is a big difference between this film and the previous three. The park is open. The park is developed. The park has a shit ton of dinosaurs. The park is so big in fact that the 20,000 people that are currently on the island serve as a main motivation for figuring out how to fix the colossal mess that our smart and sophisticated characters have cooked up. Director Colin Trevorrow and the writing team had to figure out ways to include character development into a setting that also housed thousands of people. Honestly, they didn’t do a bad job…with the main characters. The secondary characters however were misused so bad that I didn’t care at all what happened to them. Claire, played by Bryce Dallas Howard, is introduced as a stuck up, out of touch with humanity workaholic that cares more about her job than her two nephews who are visiting the park. Her character, throughout the film, goes through a transformation that I feel was actually earned. Chris Pratt, who by the way was in the Navy if you didn’t know after the 15th time they mentioned it, is a total badass. These two characters are perhaps the only characters in the entire film that I gave a sh*t about. The kids were poorly constructed cliches of boys of their age. The youngest is about 11 and if you didn’t know…eleven year olds are REALLY into dinosaurs. The older one was about 16 and was so stereotypical teenager that the writer might have actually googled “what do teenagers do” when creating him. We’ll get to the rest in a minute.
There is a theme going on right now in Hollywood. Let’s take a director that made a well regarded yet small indie sci-fi film and give them the reigns to a half a billion dollar mammoth of a budget. Josh Trank got Fantastic Four. Gareth Edwards got Godzilla. Rian Johnson got Star Wars. To me, this can either go two ways. You either get a film that has the aesthetics and characteristics of a new era or you get an over zealous attempt to try to join the ranks of superior films. I can’t blame the directors really. It’s like giving the best young go-kart driver the keys to an indy car. I feel that Colin Trevorrow, whole talented, was given the reigns to a franchise that he just wasn’t ready for. I felt the film was trying WAY too hard to do too many things. Because he’s a good director, he succeeded in some places. Other places he failed miserably. Let’s see what he did right.
The effects
I’ll admit. The effects in this were pretty awesome. Sure the sight of CGI dinosaurs was a bit distracting at first, but you got used to it and started to get a feel for why they had to be CGI. There were scenes in this film where you just couldn’t use anything else but CGI. The action in this film was all over the place instead of precisely timed bursts. There were only a few scenes that slowed down enough for the SFX tea to use animatronics instead of computer generated dinosaurs. That being said, the action scenes were well done. The last battle was one of the best of the entire series and had me actually on the edge of my seat. All the dinosaurs were rendered beautifully and the film was actually pretty violent. One death scene in particular was especially gruesome. It involved basically being repeatedly dragged around and eaten by two dinosaurs. I’m shocked that got through the censors considering this film is rated PG-13. The SFX team did a great job.
The acting
This is a case where the efforts of few trumped the many. Chris Pratt and Bryce Dallas Howard knocked it out of the park. Chris Pratt should basically be in everything as far as I’m concerned. He’s the Harrison Ford of this generation. He’s funny, endearing, physically built, and just melts into every scene his is in so naturally that it draws you into the movie better. Bryce Dallas Howard’s transformation towards the end won me over. I was reminiscent of Noomi Rapace in Prometheus where, once the shit starts to hit the fan, a true horror actress blossoms out of nothing. The dirtier Howard got in the film, the better and more believable she got. The rest of the cast was very meh, but I enjoyed the two leads so much that it didn’t matter. Now let’s get to my biggest gripe with the film, and ultimately the reason I didn’t love the movie…
The Script
The movie went from boring to “WHAT THE FUCK AM I WATCHING?” so fast that my head spun. There were so many peppered in jokes that weren’t funny that I started to get embarrassed and covered my face. There were cliche kiss scenes, predictable dialogue, and the near cock tease of character development before an untimely death. I won’t name the characters, but there are at least two that have completely unnecessary character development that leads straight to a death. You can’t do that. That is Game of Thrones type shit that I get so frustrated with. I’m not saying you can’t kill a character. I’m not saying that every character that dies has to have no back story. They way they did it in the film though, was just so silly. Let’s just say that the same reason I hated Bane’s death in The Dark Night Rises is the same gripe I have with the two main characters who die in this film. At least give them something special to go out on except a death scene cut right to another action piece.
I also had a huge problem with how they used the raptors.
*this might get spoiler-y*
Raptors are feared dinosaurs in every single film about dinosaurs that has ever existed. This film treats them like dogs. It LITERALLY treats them like dogs, complete with obedience, loyalty, and feelings. I’m sorry, but Raptors don’t have fucking feelings. They don’t get sentimental about a character who feeds them. Hell, if the film showed us that Chris Pratt raised these fuckers from birth it’d be one thing. The film made it a mission to point out that every single dinosaur on the island was genetically created and modified by scientists. These things should have only two functions, which actually gets pointed out in the film…eating, hunting, and fucking. That’s all. No fucking memories of when Chris Pratt threw rats at us and used his clicker thingie to get us to chase goats. Fuck that. That’s stupid. The fact that they actually have full on conversations with each other…and another specific dinosaur…is just stupid. I’m not talking about dinosaur language. I’m talking about literally at one point one dinosaur looks at another and says “thanks for fighting with me. It has been a pleasure” while the other dinosaur responds “the pleasure was all mine.”. That’s how it was shot. That’s how it was conveyed. I literally threw my hands up and said aloud “what the fuck is going on?”
Look, I don’t expect Scorsese or Kubrick when I go see a film about a dinosaur amusement park. The film was fun and was filled with action and Chris Pratt. That alone is worth your 13 dollars. I could not however get over the stupid jokes at inopportune times, the cliche “every Michael Bay has these” moments of dialogue and kiss scenes, and the complete misuse of terror inducing velocoraptors like they were dogs. Trevorrow seemed to change his mind constantly throughout the film about what kind of movie this was going to be. The plot was all over the place, trying to be funny one moment, while switching gears on a dime and expecting the audience to be terrified. It’s a mess.
Yet, the film is making a shit ton of money. There will be more. I hope they find good writers but as long as Chris Pratt is involved, I’ll go see it.
Also, Bryce Dallas Howard ran away from gigantic killing machines in heals. Enough said.
IMDB Score – 6.8
Rotten Tomato Score – 75%
Metacritic Score – 61 Oscar Nominated for Best Animated Feature Netflix Watch Instant
Directed By – Graham Annable and Anthony Stacchi Starring – Ben Kingsley, Isaac Hempstead Wright, Elle Fanning, Dee Bradley Baker, Steve Blum, Jared Harris, Nick Frost, Richard Ayoade, Tracy Morgan, Toni Collette, and Simon Pegg
A young orphaned boy raised by underground cave-dwelling trash collectors tries to save his friends from an evil exterminator. Based on the children’s novel ‘Here Be Monsters’ by Alan Snow.
One of my best friends has seen this movie like five times. He likes movies but is so busy all the time that he doesn’t get a chance to see much. He saw this film FIVE TIMES. Seeing as The Boxtrolls has recently been released on Netflix, my excuses have run dry and it was time to see the film my friend calls one of his favorite movies.
I liked it. I can’t say I liked it nearly as much as he did, but I liked it.
The Boxtrolls tells the story of Eggs, a boy growing up in the sewers and aptly named after the box he wears as weird vest/shirt thing. The Boxtrolls spend their night rummaging through the garbage while the rest of the town sleeps. This garbage is taken down below and turned into crazy inventions. They’re like little elves except stinkier and not as cute. Archibald Snatcher is a lunatic that wants to eradicate the Boxtrolls from the town in order to obtain a white hat and attend cheese parties. Yes, this film is British.
Laika, the production company that makes stop motion films, made one of my favorite animated films of all time in Coraline. The film was like a dark Grimm fairy tale and the animation was fresh and alive. Their second film, Paranorman, was also dark and surprisingly very funny. The story didn’t grasp me as much as Coraline did, but I still enjoyed it. The Boxtrolls is a bit like Paranorman but less dark. These creatures aren’t scary at all. They have animalistic little voices and are generally kind spirited and fun. All the evil and darkness comes from Archibald Snatcher, voiced terrifically by Ben Kingsley. It’s a good versus evil story arch that has been done plenty of times before, but in this case a very unique and different world. That’s what made this movie work for me. The fact that it was also gorgeously shot and animated helped out a great deal too. Kids should be able to find some great lessons tucked away in the story of the film. Pride of your personality and where you came from are themes you can’t really miss. Frankly, I just enjoyed watching the way they animated this thing, and listening to the voice acting. There was some real talent on display behind the microphone here. The three henchmen played by Frost, Morgan, and Ayoade were perhaps my favorite part of the film.
It may be my least favorite Laika film, but I enjoyed it nonetheless. It’s unique, funny, and gorgeously shot and should provide for some rewatchability, but maybe not five times worth.
Also, now we know what happened to Bran Stark this season.
It’s opening night, so ratings aren’t really needed. The reviews are unbelievably good though
Directed By – George Miller Starring – Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, JOsh Helman, Nathan Jones, Zoe Kravitz, Rosie Huntington-Whiteley, Riley Keough, Abbey Lee, Courtney Eaton, John Howard, and Richard Carter
In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.
For the first time since The Dark Night, I have dragged myself out to a theater to see a big name film on opening night. I just don’t do it. I like to get to the theater on dead nights and a week or two after the film has come out. It’s just quieter. For some reason I really wanted to see this film as soon as I could due to all the rave reviews I’ve been seeing so far. Rave reviews for an R rated reboot/sequel of a franchise that hasn’t had a film in over 20 years? Yeah, I had to see it. I’m glad I did. It ended up being a fucking blast.
I haven’t seen a Mad Max film since high school. I think a bunch of us sat down and just put them on one after the other and got drunk. That being said, I’m not a huge fan of the universe. The movies were great. Don’t get me wrong. I just wasn’t part of the culture of Mad Max. I was always a Water World type of person.
That’s a joke.
George Miller’s return to non-dancing/talking animals is pretty special. I don’t think I’ve seen a resurrection like this in a long ass time. The film was kick fucking ass. I can’t really call myself a huge action film person. I love story and character development and most of them are missing those two elements. A good handful of films have been able to not only include those two qualities, but also deliver some breathtaking set pieces to go along with it. I’m a fan of the last two Planet of the Apes films. The Batman trilogy was solid. The original Die Hard is one of my favorite films. Besides Batman, I like my action films without superheroes. It’s no surprise that I ended up liking this film so much. As completely batshit insane this movie was, I didn’t really get a sense that none of it could ever happen. The action was somewhat realistic, if we were to ever get as savage as these people that is.
To be honest, I didn’t really understand what the hell was going on for the first ten minutes or so of the film. It was a little jarring to just be shoved into this world of huge lady breast feeding, white zombie looking fellas, and roving marauders with no fear of death. Thankfully this wasn’t a huge deal. I quickly learned that I didn’t need to know anything about this world that they were in. The planet is shit and most people are shit. Here’s a truck with Charlize Theron in it. Go! I was on board.
Speaking of Charlize Theron, this is her movie. I know it is called Mad Max. I know that Tom Hardy was very good in the lead role, but I wasn’t way more drawn to Theron as Furiosa. She’s the one that started this whole movie into overdrive. Hell, without her, Max would still be a hood ornament. The fact that was kicked just as much ass as Max while only having one arm was also a major draw in. I wouldn’t mind seeing a movie that completely focused on her. Theron was that good.
The action was pretty phenomenal. There were some quiet scenes that pushed the story forward a little bit but for the most part the audience is treated to balls to the fucking floor action. Like a nine year old’s Legos box, the vehicles that came from left to right over the course of the movie ranged from terrifying to hilarious. You had spiked cruisers, sand bikes, teeter totter trucks, and my favorite of all, the sound trailer. I wonder how my man got the job on the guitar? Dude has it made. Actually, Miller was able to not only show us an insane character like the guitar marauder, but his inclusion actually helped make the score more intense. I was on the edge of my seat during these car chases.
If you want to have more films like this in theaters, then go see this movie. Huge budget rated R films don’t happen a thousand times a year. Go and see this film to show that there is an audience for these kind of movies. Go see the film because it’s looney-bin crazy too. That’s also a reason to go.
Directed By – Mike Cahill Starring – Michael Pitt, Astrid Bergès-Frisbey, Brit Marling, Steven Yeun, and Archie Panjabi
A molecular biologist and his laboratory partner uncover evidence that may fundamentally change society as we know it.
The fan made trailer above was include instead of the official trailer because it doesn’t give away the entire film like the official one did. I just wanted to point that out.
Wow. Emotions guys…lots of emotions right now.
You can just sign me up now to watch anything that involves Zal Batmanglij, Mike Cahill, or Brit Marling. Anything. I don’t care what it is. They make films with such an emotional punch to them that it doesn’t matter if there are some glaring scientific plot holes/inconsistencies. I’m not watching a Ted talk. I’m watching a movie. I can be a little hypocritical of this ideal sometimes however, especially when discussing zombie films. I guess what it comes down to is if there is a powerful story going on, I could give two shits if the science adds up. Cahill’s previous film Another Earth falls into this category. The likelihood of an identical Earth appearing in our solar system seems improbable but the story of Brit Marling’s character makes that film special.
This is why I loved I Origins.
Michael Pitt plays a scientist trying to create a human eye from scratch to prove that intelligent design is false. Brit Marling plays his lab partner. Honestly, this really doesn’t matter until the second half of the film, and I’m not going to spoil anything by describing why. The first half of this film is where the money is at. It’s what sets up the emotional gut punch that is delivered at the end. Pitt falls in love with Sofia, heartbreakingly played by Astrid Bergès-Frisbey. Their relationship and where it takes them was masterfully written by Cahill. I cared for these characters. I cared for them a lot. Sofia is this free spirit who may not fall into one religion, but believes in the spirit and soul of human beings. She is the perfect contrast to the scientific ideals of Pitt’s character Ian. Cahill tells their story with passion and great attention to little details in relationships. It also helps that both Pitt and Astrid Bergès-Frisbey had wonderful chemistry and impressed me with their acting.
The second half of the film is more of a mystery that needs to be solved. The premise of the film, that our eyes can be scanned and used almost as fingerprints, doesn’t really get explained too much which is where it probably threw a lot of people off. I didn’t need explanation. It was just enough to get me on board emotionally.
This is why I love films like this. They take a science fiction idea, which more often than not creates a unique environment, and then on comes the feels. Upstream Colour hit me the same way. There will always be room on my film collection for films like this. Like most films I love, I can’t really explain much more than I already have. I Origins is a science fiction film that goes light on the science fiction and really heavy on the ol’ heartstrings. The exploration of humanity and the mysteries that go along with that are what really made me love the film. I highly recommend it.
Thoughts From the Booth 