Quick Review & Discussion : Borgman (2014)

IMDB Score – 6.8
Rotten Tomato Score – 86%
Amazon Watch Instant

Directed By – Alex van Warmerdam
Starring – Jan Bijvoet, Hadewych Minis, Jeroen Perceval, Alex van Warmerdam, Tom Dewispelaere, and Sara Hjort Ditlevsen

A vagrant enters the lives of an arrogant upper-class family, turning their lives into a psychological nightmare in the process.

I’m going to break this up into two parts. One, a short review, and the other a short discussion. The discussion will have spoiler elements to it so don’t read it if you haven’t seen the film.

This creeped me the fuck out. Like, really did.

Borgman is a psychological thriller/overall creepfest of a movie from The Netherlands. There is a certain creepy I’m pertaining to when I describe this film. It isn’t creepy like how Zodiac, The Innkeepers, or any run of the mill ghost story is. This film relies heavily on the unsettling nature of German folklore. I’ll get to that in the part two discussion. There is just this extreme sense of unease that washes over you while you dive further into the film. There are no explanations and very few answers at first glance. It’s kind of a mystery.

The story is rather simple on the surface. A man, who doesn’t seem to really have a home, job, or purpose, successfully invades the home of an upper class family by appeasing to the wife. He stays on the property, just out of sight, getting to know the family better. What follows for the rest of the film is an assortment of what the fuck with a side of nightmare fuel. Seriously, nightmares are a big part of this film. You know, I can’t remember if there was a score or not, but if there was it was minimal. Alex van Warmerdam, the films director and supporting cast member, carefully constructs his shots that not only look beautiful, but completely add to the sense of dread and darkness that permeates from the film. It’s been described as a black comedy but I didn’t find anything funny with it. It’s also been described as a cross between Dogtooth and a Haneke film. The only real comparison I can see with Dogtooth is that it mostly takes place on the property which is very out of the way. The Haneke comparison is spot on though. There is just something about his films that etches into the brain and causes all sorts of unsettling emotions. The way Cache, one of my favorite films of all time, plays out is on par with this. We aren’t given any answers to what is going on. Any violence is disturbing, fast, and realistic. It’s unsettling because it feels real.

Haneke however has not really delved into the supernatural. This is where Borgman is unique. Sure, there aren’t creatures flying around or portals being opened. There are events and progressions that just can’t seem to be explained any other way though. It’s a genre blender and a half.

I urge you all to see this one. It’s on Amazon Watch Instant and most likely VOD. It’s a nightmare on screen without the fire and brimstone of a trip to hell. It’s thought provoking, unique, and wildly experimental. You’ll finish it without a clue in the world as to what you watched but if you’re like me, the answers will start to slowly creep in. Are these answers correct? I have no idea. It’s fun to find out though.

4.5/5




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..

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Spoilers ahead

So I wanted to talk about this a bit, only because I seem to have stumbled across something on my own and I really want to share. Now, since I’ve written this, I’ve learned that there are a lot of other people that have come to this conclusion and that it is regarded as the intended understanding that the director wanted from his viewers.

I was watching the Netflix series “The Fall” last night. It’s a wonderful detective mini-series set in Ireland starring Gillian Anderson. Check it out. Anyway, in one of the episodes a suspect breaks into one of the police officers hotel rooms and does some snoping. When the officer returns, she finds this image as her background on her laptop…

That is a painting by Henry Fuseli called “The Nightmare”. I was fascinated by it so I decided to Google it. What I came across was that this painting was a depiction of a German folklore creature called an “Alp” or “Incubus”. This si a creature that targets mostly women and while they are sleeping, straddles them on there chest until the weight is so much that the victim wakes up and can’t move. Alps were commonly referred to as the cause of things we know now as “sleep paralysis” and “lucid dreaming”. The alp has the ability to control the nightmares of it’s victims and cannot be seen when the victim wakes up in fear.

In the, we see Borgman straddling Marina in a way that suggests he could be an Alp. Marina has nightmares that depict her husband either beating her or even attempting to murder her. This causes Marina to grow an intense hatred for her husband and a love for Borgman.

Now, my theory on who Borgman is and who his companions are is this. Borgman is an Alp and is the leader of other Alps. This explains why they all have a scar on their back. As for what is under the scar? I have no idea, but it seems to be an indication that they’re all alike. In folklore, these Alps have been connected to vampires which would kind of explain why they were sleeping underground in the beginning of the film. I think the priest and his gang find out about them and know what they’re up to. They try to kill them.

This just makes sense to me. It’s a fascinating allegory to German folklore and is just mysterious enough not to give too much away. I loved the film and and wondering if anybody else who has seen the film has any other theories as to what the fuck is going on.

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Double Review! : Coherence (2014) and Starred Up (2014)

IMDB Score – 7.1
Rotten Tomato Score – 85%
Amazon Instant Watch

Directed By – James Ward Byrkit
Starring – Emily Baldoni, Maury Sterling, Nicholas Brendon, Nicholas Brendon, Elizabeth Gracen, Hugo Armstrong, Alex Manugian, and Lauren Maher

Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead.

This is going to be one of my shortest reviews. Why? I am not going to ruin the privilege of seeing this film as blind as I did. All I knew going in to the film was the IMDB plot summary above and that it was a sci-fi film. That is all you’re going to get too. I didn’t add the trailer. Don’t watch it. It gives too much away. The film is currently on Amazon Instant so if you have Prime you can watch it for free. If you don’t have prime, find it on VOD and pay for it. You won’t be disappointed if you love sci-fi and mindbending movies.

I’m pretty much going to end it after this. This certainly isn’t a masterpiece. It is however a film with a completely unique story and consists mostly of improvised dialogue and low budget film making that is both impressive and promising. The acting splits between amateur and really good. Baldini and Brendan are the standouts here. I hope they do more things.

See the film. See it.

4.5/5

IMDB Score – 7.5
Rotten Tomato Score – 98%
Amazon Instant Watch

Directed By – David Mackenzie
Starring – Jack O’Connell, Ben Mendelsohn, Rupert Friend, Sam Spruell, Anthony Welsh, David Ajala, and Peter Ferdinando

A troubled and explosively violent teenager is transferred to adult prison where he finally meets his match – a man who also happens to be his father.

Well, Jack O’Connell is going to be a fucking star. He’s already breached into the public eye with his role in “unbroken” but this is the film that he shines. He’s a powerhouse. He’s a wrecking ball. Think Tom Hardy in Bronson. It’s that good of a performance.

Starred Up isn’t a pretty film. It’s ugly. The brutality behind the violence is troubling to watch at times. It’s a hard look into the British prison system. For those who grew up with Oz and Shawshank Redemption, this is going to be different for you. Guards aren’t always right around the corner and when they are, they don’t usually have the upper hand. There were many moments in this film that made me confused as to who was really running the prison. Fights break out and are left unattended for minutes. Assaults on guards don’t really end too bad for the inmate. In fact, it’s like getting the shit kicked out of you is almost a daily hassle, for both the inmates and for the guards. Enter Eric Love, a 19 year old kid who is as explosive as they come. Right from the get go he is rubbing oil on his body in preparation for guards bursting through his cell door. I told you it’s like Bronson. Starred up however is a bit less theatrical than Bronson. It’s a realistic view at just how fucked up it can be in prison. It sheds light on how far prison officials are willing to go or how blinded they can be that there are people in those cells that need help. Its eye opening.

A lot of the film is a bit hard to understand. I don’t mean story. I mean I had problems getting through the mumble mouth cockney jargon that these prisoner conversed in. It really is a whole other language but I got through it without the subtitles. I’m proud of that. Ben Mendelsohn, who is fantastic in this by the way, plays the father of Eric and at times is completely non-understandable. That Mendelsohn though. He’s been acting like that since Animal Kingdom. I don’t want him to change. He’s always a menace whenever he’s on screen and I love it. The relationship between father and son is interesting in prison. You can’t always take peoples shit, including your fathers in fear of looking weak, but you also need to look out for your son. I think this is the main focal point of the film for me. The relationship between father and son here is handled beautifully and comes full circle by the films end. There is also a great sub theme by which a young anger management counselor, played by Rupert Friend, tries to get some of the more violent and angry inmates to calm the fuck down. Those scene were like Dead Poets Society except instead of poetry we’re dealing with pure insanity filled rage.

The film is a wonderful look at a different kind of prison system. It is brutally violent at just the right times and features powerhouse performances by O’Connell and Mendelsohn. Watch out for Jack O’Connell. He’s looking like the next Michael Fassbender or Tom Hardy.

4.5/5




Film Review : Blue Ruin (2014)

IMDB Score – 7.1
Rotten Tomato Score – 96%

Directed By – Jeremy Saulnier
Starring – Macon Blair, Devin Ratray, Amy Hargreaves, Kevin Kolack, Eve Plumb, and David W. Thompson

A mysterious outsider’s quiet life is turned upside down when he returns to his childhood home to carry out an act of vengeance. Proving himself an amateur assassin, he winds up in a brutal fight to protect his estranged family.

Revenge stories. You thought that they couldn’t do anther one that is both unique and engaging but along comes “Blue Ruin” to prove that it isn’t true. It’s been a pretty great year for film so far and while I didn’t get a chance to see this is a theater, I’m still glad I was able to watch it on DVD. There are some films from three years ago that still haven’t managed a DVD release and thankfully this wasn’t one of them.

The film stars Macon Blair, who is almost a split image of Nathan Lane, as Dwight, a homeless man living out of his car on the shores of Delaware. It’s pretty much inferred off the bat that Dwight is troubled by something as he makes no attempt at panhandling or other form of making money. He doesn’t like people and he likes to keep it that way. A friendly police officer brings Dwight in to inform him that a certain person is getting out of jail and the story slowly begins to unfold from there. I say slowly mostly because I mean just that. Jeremy Saulnier took great care with his breakthrough film, telling the story in a slow burning and delicately paced fashion. We aren’t getting spoon fed details and I had to rewind the film twice to make sure I caught turns in the plot. The film has minimal dialogue as our protagonist Dwight is very soft spoken and a lot of the film takes place with only him.

Saulnier, who started his career as a cinematographer, composes some pretty beautiful shots in a barren Virginian landscape. They way he approached the violence reminded me of another filmmaker, Ben Wheatly, in which what we get isn’t stylized, but rather highly realistic. There were some real shockingly violent moments in this film that just hit harder due to the realism.

Saulnier is a promising filmmaker that should be due some serious budget for his next film. That is the way Hollywood is going now. You have Josh Trank, Gareth Edwards, James Gunn, and Rian Johnson all at the helm of big franchises. It’s only a matter of time before a talent such as Saulnier gets his due and if it is anything like Blue Ruin, I’m going to like it.

4/5

Suggested Viewing – Kill List, Ain’t Them Body Saints, Death Sentence



Film Review : Dawn of the Planet of the Apes (2014)

IMDB Score – 8.5
Rotten Tomato Score – 91%

Directed By – Matt Reeves
Starring – Andy Serkis, Jason Clarke, Toby Kebbell, Keri Russell, Kodi Smit-McPhee, Kirk Acevedo, Nick Thurston, Terry Notary, Karin Konoval, Judy Greer, and Gary Oldman

In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.

ALL HAIL CAESAR!!!

Gah! I just want to see it again!A couple years ago I was shocked by how much I liked the reboot of The Planet of the Apes. I remember seeing the trailer and thinking that they must have just ran out of idea because Tim Burton already ruined a great franchise, but to my surprise Rise of the Planet of the Apes was a fantastic attempt to reboot the whole series. Well, it is almost certain that this is going to last a while because “Dawn” is cleaning house at the box office and just so happens to be one of the best action movies I’ve seen since District 9. I mention that film because it was the last time, other than Inception, that I was blown away by an effects driven action film. I was on the edge of my seat. I was slacked jawed at the entire middle act. I walked away from the theater immediately thinking of when the next time I could go back to see it. I needed a little pick me up this week.

The film starts out with a stage setting sequence that actually doesn’t suck for once as it tells us about the fall of the human race due to our dance with science and the need to help old people with Alzheimer’s. There are few who were genetically immune to the epidemic and survived but are now forced to live in mad max style colony with gas generators and filth running in the streets. This isn’t a human world anymore, at least not near San Francisco. The outer forests of California, which look like the Amazon in this film, are now colonized by a much more advanced society of apes led by the one, the only, fucking Caesar. Seriously, he may be one of my favorite movie characters after this film. The writing staff who worked on this film just nailed the character and all his moral glory. Caesar is still living with familiar faces such as Maurice the giant Orangutan and Koba the scar faced lab ape. Caesar also has a new family comprised of a son and wife, both of whom play a big role in the film. It’s funny but the film picked a great time to be released with all the tension in Israel and Pakistan, but also stuck to serious moral issues of family and friendship. I won’t go to far into the plot because it’s a ride you want to take on your own but the trailer gave most of that away anyway.

I was surprised by how much the story of the film payed homage to Shakespeare, Julius Caesar to be specific, which is a funny joke if you ask me. It seems like it would be at least. A subtle retelling of Julius Caesar about an ape…NAMED CAESAR? It sounds crazy, but it actually worked quite well as we see tension and fighting within the ape colony. This is their film by the way. Do not go into this film thinking that you’re going to get a whole lot of Gary Oldman and Jason Clarke. They are there only to progress the storyline as the natural enemy, meaning being human, of the apes. The real meat and potatoes is all ape baby and the actors behind these apes should be heaped with praise. HEAPED. Andy Serkis continues to be an absolute treasure in a motion capture suit. “Rise” was impressive enough, but this film takes motion capture to a whole new level. There were more close up shots of all the apes doing ape things that made me believe I was watching the real thing. The only ape that looked CGI was Caesar’s son Blue Eyes, who for some reason just could not shake the fact that he wasn’t real. Every other ape, mostly the villainous Koba, looked completely genuine and was helped greatly by their motion actors. Speaking of Koba, Toby Kebbell may have outshined Serkis with his performance. If I was present in front of Koba I would be shitting my pants. His scarred body and menacing jaws would have had me running in the other direction as I was actually pretty frightened in the theater, which doesn’t happen much. The on screen humans, led by a great actor in Jason Clarke, all did a fantastic job hooking me emotionally into the story. There were some moments that just weren’t needed much, mostly having to do with the kid and girlfriend of Clarke, but it didn’t distract too much. Gary Oldman was fantastic as always and had two really great scenes in where he both gave a speech and made me teary eyed. The cast was a home run.

The action was just top notch. There was one scene involving a tank that seriously almost made me stand up and clap. It reminded me of shots that Alfonso Cauron would construct in Children of Men. It’s easily my favorite shot of the year and may be my favorite shot since Gravity came out. The gigantic ending set piece which climaxed the film was pretty awesome but seemed to mirror the final set piece in “The Amazing Spiderman” too much. I was into it, but it just seemed to similar. The whole est of the film was so unique that the ending that the ending battle just let me down a tiny bit. Oh, and finally, we arrive and end with Caesar. The opening and final shots of his face are just perfect. Perfect!

As you can see, I loved the film. I want to see it again. Hopefully I’ll see it again because it was a blast to watch and a serious contender for my top films of the year. I’m so glad it’s making money because Matt Reeves is a talent behind the camera and really seems to have a grasp on this franchise. Hell, Nolan couldn’t even make two outstanding Batman films back to back. He made a Dark Knight sandwich with two stale pieces of bread. This is the making of a serious sandwich fit for a king. An ape king. FUCKING CAESAR!

4.5/5




Film Review : Big Bad Wolves (2013)

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IMDB Score – 6.9
Rotten Tomato Score – 78%
Netflix Watch Instant

Directed By – Aharon Keshales and Navot Papushado
Starring – Lior Ashkenazi, Rotem Keinan, Tzahi Grad, and Guy Adler

A series of brutal murders puts the lives of three men on a collision course: The father of the latest victim now out for revenge, a vigilante police detective operating outside the boundaries of law, and the main suspect in the killings – a religious studies teacher arrested and released due to a police blunder.

First off let me say that even though I love his films, Quentin Tarantino is starting to piss me off. He’s a pretentious douchebag who happens to make some of the best films of the past thirty years. I’ll give him credit for that. I hope he continues making films for a long, long time. I do however wish that he stop talking, like forever. His claim that this was the best film of last year is just ludicrous and seems like he’s just trying to sniff his own butthole due to the fact that the entire film was a dragged out version of the scene from “Reservoir Dogs” when Micheal Madsen cuts that cops ear off. That isn’t to say I didn’t like the film because I enjoyed it, but it was nothing new whatsoever and for Mr. Tarantino to claim that this film was the best from last year just strikes me wrong. It just screams “Hey! I make movies like this! I didn’t make a movie this year so THIS is the best of the whole year.” Give me a break.

Now, apologies to the cast and crew of this film because even though it seems like I just took a huge dump on your film, I did find some enjoyment in the film. Besides a little set up, the entirety of the film pretty much takes place in the basement of a secluded cabin in which a father who just lost his daughter to a brutal rapist/murderer thinks he has found the killer. He thinks he has found the killer because the cop who is with him thinks it was him even though there is no evidence to suggest he’s right. There really isn’t much more meat to this film besides being a good old fashioned torture movie. Films like this come along a lot because it’s an easy script to write and you can get creative in the ways to torture people. This film didn’t get that creative. Hell, it wasn’t even that bloody. There were a few cringe worthy scenes but for the most part I was left wanting something a little more original. I was at least hoping for a shocker of an ending but instead I got an unearned twist that was suppose to hit hard but since the script decided to invest nothing in the characters themselves, I didn’t give a shit. The only thing I actually enjoyed about this film was the cast and the dialogue, which is what ultimately saved the film for me.

Tzahi Grad is a menace. He’s a huge presence with a deep frightening voice that was perfect in this role. His line of “Maniacs are afraid of other maniacs” couldn’t have rang more true. The guy was a pleasure to watch every single time he was on screen. His terrifying presence was helped greatly by some fantastic dialogue written for the characters. The writers decided to take a black comedy approach by taking a very serious script about torture, rape, and murder and gad the characters in this film be as polite as possible. In one instance, a character apologizes to the alleged serial killer for not offering him a piece of cake. This is before he is planning on burning him with a torch. I loved it. I thought it was hilarious. I wish the movie lived up to how funny it ended up being.

So while Mr. Tarantino was completely wrong about this film in my opinion, it was still a decent watch and is now streaming on Netflix. If you’re into horror movies and would like to see a black comedy dressed up as a horror film, then I’d suggest checking it out.

3/5

Suggested Viewing – The Loved Ones, Texas Chainsaw Massacre, I Saw the Devil