First Half Review : The Best of 2014 So Far

So it’s just about the half way point in our year so it’s time to review what I have seen so far. I’ll do a ranked top five list with some honorable mentions and then I’ll do a couple categories that are not ranked such as best performances, biggest disappointments, and favorite scenes. Here’s to a better second half of the year!

TOP FIVE IN DESCENDING ORDER

Honorable Mentions

Edge of Tomorrow – Perfectly fun and exciting sci fi film. Emily Blunt kicked major ass and it was fun to see Tom Cruise be a human being before he turned into his typical badass action hero. The film was also pretty tight for a film that had such a high concept. I would have liked a less Hollywood ending but I left very satisfied.

The Wind Rises – I know this hit the festivals in 2013 but it had a limited release in 2014 so I included it. It was certainly the least fantastical Miyazaki film I’ve ever seen but the love and heart that went into it is unmistakable. Miyazaki wrote a poem about himself and it came out beautifully. I didn’t care for the American voice acting and it ran a tad long but if the genius is truly done directing films I’m satisfied with his last.

Godzilla – Sometimes you just need a cool monster movie and this was it for me. I enjoyed the havoc and the set pieces, especially the halo drop, were cool as shit. I just needed more Bryan Cranston and Godzilla but overall it was an enjoyable film.

NUMBER FIVE – ENEMY

Denis Villenuvue is one of my favorite new film makers right now so naturally I would have a high regard of his doppleganger film staring Jake Gyllenhaal. It was a bit slow but when it picked up it turned into a psychotic piece of mystery with amazing visuals and a key performance from Gyllenhaal. Also, the ending is batshit insane yet so thought provoking. I love good mysteries. I love mysteries even more when I still haven’t figured it out.

NUMBER FOUR – THE LEGO MOVIE

SPACESHIP!!! There isn’t much to say other than that. It’s a fun as hell ride into many a childhoods with a strong message to be yourself. The voice cast was hilarious and the film implied a joke a minute strategy that had me in stitches the whole time. Oh, and SPACESHIP!!!

NUMBER THREE – THE GRAND BUDAPEST HOTEL

The only film this year I have seen multiple times in the theater. I can’t express how much I loved this film. It is up there with the Wes Anderson greats, Tennenbaums and Rushmore, while still being unique and delightfully surprising. The design and story were clever and crafted with such detail and care and the cast was just amazing. We’ll get into Ralph Fiennes later on. It’s just a completely joyous film.

NUMBER TWO – ONLY LOVERS LEFT ALIVE

I love Jim Jarmusch. I’ve been binge watching his films ever seeing Only Lovers in the theater and I firmly believe he makes films just for me know. I love slow movies. I love movies where the clever dialogue is basically another character. I love committed and subtly powerful performances. Only Lovers had all of that. Swinton and Hiddleston were two of the most perfect casting choices I’ve ever seen. They were magnificent. The soundtrack was as dark and brooding as the camera work. It’s just the perfect chill out movie. It was my number one until only recently which brings me too…

NUMBER ONE – THE ROVER

What can I say? I’m obsessed with David Michod. Jim Jarmusch may make films for me, but Michod makes films I want to make. They are unflinching and unapologetic, brutal and beautiful, deep and symbolic, and just as shocking the second time you see it as the first. I may like Animal Kingdom slightly better than this but never has a film grown on me the longer I thought about it than The Rover. I forget what rating I gave it originally but now it’s a firm five out of five. The ending received groans from the audience I was in but it left me speechless. Everything came together for me during the last shot and the significance of it lingered for days. Guy Pearce and Robert Pattinson gave career performances and the gorgeous cinematography was the icing on the cake. It’s my number one film of the year so far and will be hard to top.

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Biggest Disappointments

Robocop – One of the worst films I’ve seen in years. Nothing happened. I didn’t care. Not even Michael K. Williams was good in it. Abbie Cornish should stop trying. The only redeeming factor was Gary Oldman. I just hated it.

Monuments Men – What a snoozefest. Did I even write about this one? I can’t remember if I did or not. I may have clocked out halfway and thought a review was wrong which tells you how boring this movie was.

The Raid 2 – I left halfway because I just couldn’t sit in the theater any longer. The fight scenes were great and I’m going to give it another try but I just didn’t care for the story at all. I was pissed all night after this one.

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Best Performances

Ralph Fiennes in The Grand Budapest Hotel – There has not been a more perfectly cast role in comedy in the last ten years that lives up to this role. Hysterical, serious, and outlandishly bizarre, Fiennes brought it all. He’s the reason I had no problem at all seeing this is theaters the same week as when I saw it first. He was amazing.

Guy Pearce/Robert Pattinson in The Rover – This was the performance of Pearce’s career and even though he won’t get it, he deserves recognition for it. His face was heartbreaking and his actions were brutal. He has perfected the thousand yard stare. I combined the two because they complimented each other so well. Pearce was a menace and Pattinson was unpredictable and seemed lost in whatever he was doing. They were a treat to watch.

Bryan Cranston in Godzilla – My favorite part of the film that included gigantic monsters kicking the shit out of each other. I cared so much for his character in such a little time. He broke my heart in half on multiple occasions and may I remind you he did it in a film that is about MONSTERS KICKING THE SHIT OUT OF EACH OTHER. Cranston is just amazing.

Jake Gyllenhaal and Jake Gyllenhaal in Enemy – The guy can act. The guy can also act with himself. The two Jakes (movie reference) were nearly complete opposites yet Gyllenhaal was able to get it done almost effortlessly. He’s turning into a ridiculously good actor.

Tilda Swinton and Tom Hiddleston in Only Lovers Left Alive – Another two that have to be together because they complimented each other so well. I want to hang out with these two and talk about the world so bad. Hiddleston was dark and Swinton was his light. They were a perfect team.

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Favorite scenes/moments (Spoiler free)

The Lego Movie – SPACESHIP!!!!!!!

Godzilla – The Halo Drop. So unnerving with the music and the camera angle.

The Grand Budapest Hotel – The mountain chase in the snow. Just delightful and also hysterical.

Only Lovers Left Alive – Swinton, Hiddleston, and Hurt all drinking their blood. Also, the opening scene was incredible. Perfect song choice with Wendy Jackson.

X-Men : First Class – The Escape. You know what scene I’m talking about. Time Stuck in a Bottle. One of the best action sequences I’ve ever seen.

The Rover/Enemy – The endings.

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Films I saw that didn’t make a list – Night Moves, The Double, Chef, Willow Creek
Film I haven’t seen yet that may have made a list – The Immigrant, Under the Skin, How to Train Your Dragon 2, 22 Jump Street

Film Review : The Grand Budapest Hotel (2014)

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IMDB Score – 8.4
Rotten Tomato Score – 91%
Currently #159 on IMDB’s Top 250

Directed By – Wes Anderson
Starring – Ralph Fiennes, F. Murray Abraham, Mathieu Amalric, Adrian Brody, Willem Dafoe, Jeff Goldblum, Bill Murray, Harvey Keitel, Jude Law, Edward Norton, Saoirse Ronan, Tilda Swinton, Jason Schwartzman, Léa Seydoux, Tom Wilkinson, Owen Wilso, and Tony Revolori

The adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.

There is only one word I can think of to describe Wes Anderson’s latest film. That word is “delightful”.

There has not, to this day, been a Wes Anderson film I did not love. Every single one of them is special in my eyes. Had I known absolutely nothing about this film, I still would have had no doubt in my mind that it was directed by Wes Anderson. He has a style all his own and that has been copied by almost nobody. There’s something about that kind of niche that I just find enchanting. Enchanting could also describe this film, which stars more of my favorite people then I think any other film I’ve seen. I mean, look at that list of people who contribute to this film. It’s an indie film fan’s dream come true. I’m going to spoil something a little bit. Some of those names have such little screen time that I’d be surprised if they spent a full day on set, but the whole picture is empty without them. Everything about the film enchanted me. There are rarely times where I have a smile on my face throughout an entire film, and Wes Anderson has done this to me multiple times, this just being the latest.

In one of his more complex stories he has brought to the screen, the film takes place, during many time periods, in and around The Grand Budapest Hotel, located in a fictitious Polish town during times of war. During these time periods we are introduced to two characters whose friendship is the reason this story is being told. M. Gustave, played as perfect as anybody could play any character by Ralph Fiennes, and his protege lobby boy Zero, played at an old age by F. Murray Abraham and at a young one by a breakout actor named Tony Revolori, are the centerpieces of an intricate yet vastly profound story. M. Gustave has just inherited a small fortune from one of his hotel guests whom he has developed a relationship with and the immediate family of said guest is trying to get rid of him for their own greedy ways. Like always, I don’t want to give away much of the plot but that is pretty much the gist of the film and you’re going to have to find out the rest for yourself.

When “Moonrise Kingdom” came out last year, I thought to myself that one one Wes Anderson was going to cease being able to bring us fantastic cinema. I guess this is just some innate idea that at some point people start to decline but Anderson is proving that wrong by giving us some of his best work as his career continues to move forward. There is n doubt in my mind that he’s going to be making incredible movies until he dies of old age. This latest one is something special, but certainly has some of his traditional trademark qualities. One of the things I love about his work is how symmetrical every one of his shots are. There is a fluid way he moves the camera into the perfect position where we have an actor centered in front of the screen with nearly identical lines surrounding him. Perhaps it’s my OCD leaking through my eyes. I just can’t gt enough of it. He also utilizes the shots from a distance that he has been using since Fantastic Mr. Fox. We see some characters off scurrying along the base of the shot while behind them is a huge scene of mountains or buildings, obviously made of cardboard and paper, but nevertheless whimsical and charming. The wit in this film is also rampant. There were countless times I literally burst out laughing, mostly from either Ralph Fiennes or Adrian Brody saying something insane. The film, which is rated R, uses the perfect time and place to insert either bad language, or in some cases hilarious and crude nudity. It was a riot, and while I didn’t see the movie with a lot of people, the humor was felt all around. Everybody was laughing. It’s a hilarious film.

With such a talented cast, you can’t let everybody have a huge amount of screen time. There just isn’t enough time in the world. Everybody was pretty perfect though. Tilda Swinton was literally unrecognizable as an 84 year old woman. Willem Dafoe was a cold, evil man that almost seemed to turn into a vampire at one point in the film. Jeff Goldblum handled most of the legal dialogue with a diction that only the voice of Jeff Goldblum could make funny. Edward Norton gave the best laughs with the least amount said. His first appearance in the film had my dying and he hadn’t even said a word yet. Harvey Keitel as a bald, muscle flexing prisoner with prison tattoos and Adrien Brody with his short bursts of hilarious anger could not have been better used. I just loved every single aspect of this film. Every single character has their own quirks and humor no matter how long they were on screen.

Overall, I can’t say enough good things. Ralph Fiennes stoles every single scene he was in and he was in a damn lot of them. That’s how good he was. When “Moonrise Kingdom” came out, I knew that it was going to be in my top five of the year regardless of what else got released because of how unique and funny it was and I honestly enjoyed this a lot more. I’ll try to get out to see another viewing, maybe with some friends, but this is most certainly going to be one of my favorites of the year and is already inching it’s way up the ladder of favorite Wes Anderson films the more I think about it. I seriously can not wait to see it again and look forward to everything Wes Anderson will give me in the future.

5/5





The Grand Budapest Hotel Trailer

Well as if there were any doubt whatsoever, Wes Anderson’s new film is indeed a Wes Anderson film. I never get tired of his work and after Moonrise Kingdom I can only attest to him getting better. I love the fact that he’s using a new actor for his protagonist and Ralph Fiennes was a wonderful choice. Everybody has a mustache and Tilda Swinton was unrecognizable. I can’t wait.