Tag violence

Double Review! : Coherence (2014) and Starred Up (2014)

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IMDB Score – 7.1
Rotten Tomato Score – 85%
Amazon Instant Watch

Directed By – James Ward Byrkit
Starring – Emily Baldoni, Maury Sterling, Nicholas Brendon, Nicholas Brendon, Elizabeth Gracen, Hugo Armstrong, Alex Manugian, and Lauren Maher

Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead.

This is going to be one of my shortest reviews. Why? I am not going to ruin the privilege of seeing this film as blind as I did. All I knew going in to the film was the IMDB plot summary above and that it was a sci-fi film. That is all you’re going to get too. I didn’t add the trailer. Don’t watch it. It gives too much away. The film is currently on Amazon Instant so if you have Prime you can watch it for free. If you don’t have prime, find it on VOD and pay for it. You won’t be disappointed if you love sci-fi and mindbending movies.

I’m pretty much going to end it after this. This certainly isn’t a masterpiece. It is however a film with a completely unique story and consists mostly of improvised dialogue and low budget film making that is both impressive and promising. The acting splits between amateur and really good. Baldini and Brendan are the standouts here. I hope they do more things.

See the film. See it.

4.5/5

IMDB Score – 7.5
Rotten Tomato Score – 98%
Amazon Instant Watch

Directed By – David Mackenzie
Starring – Jack O’Connell, Ben Mendelsohn, Rupert Friend, Sam Spruell, Anthony Welsh, David Ajala, and Peter Ferdinando

A troubled and explosively violent teenager is transferred to adult prison where he finally meets his match – a man who also happens to be his father.

Well, Jack O’Connell is going to be a fucking star. He’s already breached into the public eye with his role in “unbroken” but this is the film that he shines. He’s a powerhouse. He’s a wrecking ball. Think Tom Hardy in Bronson. It’s that good of a performance.

Starred Up isn’t a pretty film. It’s ugly. The brutality behind the violence is troubling to watch at times. It’s a hard look into the British prison system. For those who grew up with Oz and Shawshank Redemption, this is going to be different for you. Guards aren’t always right around the corner and when they are, they don’t usually have the upper hand. There were many moments in this film that made me confused as to who was really running the prison. Fights break out and are left unattended for minutes. Assaults on guards don’t really end too bad for the inmate. In fact, it’s like getting the shit kicked out of you is almost a daily hassle, for both the inmates and for the guards. Enter Eric Love, a 19 year old kid who is as explosive as they come. Right from the get go he is rubbing oil on his body in preparation for guards bursting through his cell door. I told you it’s like Bronson. Starred up however is a bit less theatrical than Bronson. It’s a realistic view at just how fucked up it can be in prison. It sheds light on how far prison officials are willing to go or how blinded they can be that there are people in those cells that need help. Its eye opening.

A lot of the film is a bit hard to understand. I don’t mean story. I mean I had problems getting through the mumble mouth cockney jargon that these prisoner conversed in. It really is a whole other language but I got through it without the subtitles. I’m proud of that. Ben Mendelsohn, who is fantastic in this by the way, plays the father of Eric and at times is completely non-understandable. That Mendelsohn though. He’s been acting like that since Animal Kingdom. I don’t want him to change. He’s always a menace whenever he’s on screen and I love it. The relationship between father and son is interesting in prison. You can’t always take peoples shit, including your fathers in fear of looking weak, but you also need to look out for your son. I think this is the main focal point of the film for me. The relationship between father and son here is handled beautifully and comes full circle by the films end. There is also a great sub theme by which a young anger management counselor, played by Rupert Friend, tries to get some of the more violent and angry inmates to calm the fuck down. Those scene were like Dead Poets Society except instead of poetry we’re dealing with pure insanity filled rage.

The film is a wonderful look at a different kind of prison system. It is brutally violent at just the right times and features powerhouse performances by O’Connell and Mendelsohn. Watch out for Jack O’Connell. He’s looking like the next Michael Fassbender or Tom Hardy.

4.5/5




Film Review : A Single Shot (2013)

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IMDB Score – 5.9
Rotten Tomato Score – 51%

Directed By – David M. Rosenthal
Starring – Sam Rockwell, Jason Isaacs, Kelly Reilly. William H. Macy, Ted Levine, Joe Anderson, and Jeffery Wright

The tragic death of a beautiful young girl starts a tense and atmospheric game of cat and mouse between hunter John Moon and the hardened backwater criminals out for his blood.

Ahh, back to my old roots of watching bleak films about backwoods crimes and the fight to survive. I rode the feeling I had from watching “The Lego Movie” for as long as I could before I got back to the more gritty cinema that I seem to find myself watching a couple times a week. I hope this isn’t a statement of my personality but light hearted comedies and children’s films just aren’t really in my interests. I’ve always gravitated towards dark drama/thrillers and my most recent film “A Single Shot” is a perfect example of the genre. It is not, however, a perfect example of a superior film of that genre.

I’ll be honest, there are just some things that peak my interest. Dark forests and Sam Rockwell are two of these things. The film centers around John Moore, played in typical magnificent fashion by Sam Rockwell. John is out hunting and accidentally pulls a Dick Cheney except instead of a mouthful of birdshot, the victim gets a shotgun blast to the chest and dies. This is in the trailer. This is in the synopsis. This is in the first two minutes of the film. The following two hours is a “wrong place in the wrong time” scenario that we have seen countless numbers of times. There isn’t anything new being presented in this film. The films director, David M. Rosenthal, is not known for many films, but is a talent behind the camera. This is a nice looking film. Most of the film has a dark, ominous color to it that only adds to the already suspenseful atmosphere of running around what I’m assuming is backwoods Kentucky. They may have stated where the film took place but I’ll be honest, I didn’t pick it up. The film reaks of similar films released in the last couple years including “Out of the Furnace” which was released at nearly the same time. The plots may be different but the feel is exactly the same. Everybody is dirty and talks like “Boomhauer” from King of the Hill. I almost turned the captions on because I couldn’t understand what the hell people were saying and it only got worse because as soon as I started to get the gist of what somebody was saying, they pop in chewing tobacco and it all turns to gibberish. Maybe this is why I don’t know where the hell this all took place.

Like I mentioned earlier, the film is nice to look at. The camera paints the bleak backwoods very well and the minimalist/dissonant score actually kept me from clocking out of the film. Sam Rockwell was also extremely good as he continues to prove he should be starring in more films instead of stealing scenes as secondary characters. In the end the bland, redundant, and sometimes unintelligible script was what did this film in for me. It’s nothing we haven’t seen before and it’s nothing we won’t see again. I suppose it’s worth a rental but don’t expect to be amazed by what you end up getting.

2.5/5

Related Films – Winter’s Bone, The Hunter, Deliverance



Film Review : Elephant (2003)

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IMDB Score – 7.2
Rotten Tomato Score – 72%

Cannes Film Festival Awards
Palme d’Or
Best Director

Directed By – Gus Van Sant
Starring – Alex Frost, Eric Deulen, John Robinson, and Elias McConnell

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

I was in school when Columbine happened. I remember getting nightmares and daydreaming during the day what I would do if such an event occurred. I researched the event non stop in order to be prepared if anything like that happened to me. It got to the point where I knew the names of the victims and where they died. I knew the time table of events. I could probably walk through that high school right now and find my way around. I was that frightened by that event. I became obsessed with my fears. I got a lot of those feelings back when I viewed this film.

As much as I was disturbed to the core by this film, I ended up loving every second of it. I’m not a big Gus Van Sant fan but this is one of those films that transcends the rest of his work. It’s one of the most realistic yet absolutely surrealistic views of high school I have ever seen. Van Sant decides to ditch traditional narrative and story telling and instead decides to following his actors as they go through their every day life in high school. I’m so glad he decided to film this way because it makes the impact of what everybody knows is going to happen even more terrifying. Long takes following students down hallways and into lunchrooms puts the viewer right back into those four years. While the school is ultimately different than my own high school, the feeling and tone of the scenes hit a chord with me. I was a happy neutral in high school. I was friends with the popular kids and friends with the freaks. I’ve seen my share of bullying just as our main shooter Alex endured in the beginning of the film. It’s terrifying to know that not only my school, but any school could have an event like this. It was eye opening.

I loved the long shots. I loved the minimal score that really only included Beethoven’s Piano Sonata No. 14 in C Sharp Minor, No. 2 Moonlight. It’s really the perfect piece of music to brings the subtle tension leading up to the climax to life. It was like feeding off my fears and is probably one of the scariest films I’ve ever seen. It was damn near perfect. The fact that in won the Palme d’Or at Cannes is evident that this is a highly important film and should be viewed by as many as possible to fully understand these school shootings. I can exhale now.

5/5